此文基于这项规则汉语拼音字母标调规则Yuuyen yux wenxue Wang LizJnmtian wo jang yuuyen yux wenxue d guanxir, fen wwisir g wenntil lai jang: yi, yuuyen s wenxue d diryi yaosuc; err, ccihuii yux wenxue; san, yuuyin yux wenxue; sir, yuufaa yux wenxue.Yi, yuuyen s wenxue d diryi yaosucGaoerji sho: yuuyen s wenxue d diryi yaosuc. Meiyou yuuyen jiu meiyou wenxue. Zui hao d wenxue zopn s yon zui yoummeei d yuuyen xeecheng d. Yuuyen xiuyaang s wenxueja d qimaa tiojann.Women yao xue hao xandai Hanyuu. Xandai wenxue zopn doush yon xandai Hanyuu xeecheng d. Wenzis bu tonshun, jiu xee buchu hao d xiosho juzben shpsgeb saanwen lai. Bu zhdau you doshao qngmnian wenyzc gongzozhee, zhiyn wenzis bu tonshun, tamen d zopn bei rengbjn wenyzc zazhs bianmjilbbug d ziszhqloou li.Women yao xuexxi renmn d yuuyen. Gongren d yuuyen, nongmn d yuuyen, xioshgmn d yuuyen, women dou yao xue. Xueshengqangf s yon bushang d. Women sho wenxueja yao shenfruz shengho. Wo renzwwi, xuexxi renmn d yuuyen yesh shenfruz shengho d yifangmian.Wilsyou yon renmn d yuuyen miotxee renmn d shengho, caineng shi zopn you shengho qizxim. Zhaog Shuslii shhuxims nongmn d yuuyen, Laoshee shhuxims xioshgmn d yuuyen, soy tamen miotxee d nongmn xioshgmn cai nayang shengdon chhuanshend.Women yao xue hao guudai Hanyuu. Guudai Hanyuu you xuudo xiucid shouduann, women jnmtian hai yondepshang. Qqicir, women yandjiou Zhongo wenxueshv, geng buneng bu xue hao guudai Hanyuu. Fouze, women lien guuwen, guushps dou kan budoon, zenneng yandjiou wenxueshv ne?Err, ccihuii yux wenxueZheli jang d zhuyao s xxngxangg siwil d wenntil. Xxngxangg siwil s wenxue wenntil, yesh yuuyen wenntil. Xxngxangg siwil s yon justi xxngxangg lai goursi, bioxan wwiyuuyen zesh do yon justi mmngcci, shao yon chouxangg mmngcci. Shpsjng d bi xngb, s xxngxangg siwil d shljanzx. Houlai xngb fazhaan wwichucjngx shengqng, qngjngx jiorong, topqng yu jngx. Shubbqng shps rugoo meiyou xxngxangg, jiush zui huai d shubbqng shps. Shps d ycjngg, ye kau justi xxngxangg lai bioxan. Dur Fuqt shps: ccon jud liang kai ta ri leii, guf zhoub yi xir gu yuank xn. Jiush y ccon jud h gufzhoub zhe liang g jngxwg jicbtop tade sixangf zhp qng. Jaaru ta janvdanp db sho: llija liang nian do l, wo hen xangja yilei d hua, jiuwistong jjiolac l. Shennzhg jang zhedlii d shps ye llibukai xxngxangg siwil. Lisru Zhuf Xibz d Guanb shu yougan shps: ban muv fang tangk yi janc kai, tian guang yun ying gung paid huait. Wenn qqu naa dde qngf rux uu? Wwiyou yuand tou ho shui lai. Zheli you chhtangk, you jngrzi (janc), you tianguang, you yunying, you yuandtou hoshui, erl ta so yao biodda d ycsi s, meij tian kanshu dou linghui dao xuudo xin d daulii, haoxangs you yuandtou hoshui d qngf chh, zhau dep xnli lianggtang. Zheyang sho caiyou shpsyc, s yi shoou hao shps; rugoo yon chouxangg d hua shochu, jiu bu cheng qqi wwishps l.Wenxn dioblon yon xangbdang da d pianmfuk jang xxngxangg siwil d daulii. Tap sho: gu si lii wwimio, shend yux wg youd. (Shendsi) youu sho: shps ren bi xngb, chuc wg yuanl lanq. Wg sui hhu yuee, hhe ze ganp daan. (Bi xngb) youu sho: shan tazz shui tasc, shus za yun hhe. Mu jig waang huan, xn ycb tuu nas. Chun ri chl chl, qiou feng saz saz. Qng waang sis zengg, xngb lai ru dad. (Wgse) zhe s guudai wenlun zhon d xxngxangg siwil lun, zhldde women haohao db linghui.Xxngxangg siwil ye bngbu doush hao d. Yonmssu d biyuzg jiu bioxan shpsgge d beipbxa. Lisru Mng Shrzond Son Mao Botwenm shps: da jangz nnan zhengm daan qiz hhao, yaof heng qiou shui yanzd lngdc daom. … Tian shang qidrl ndq yuan you zhoon, xxue zhon loud yjm qiv neng ttao? Tai png daig zhaoc guei lai ri, zhencr yux xian sheng jee zhanz ppao. Zhezhoon shps zhiyou xioxuesheng d shuipng, s haodw shpsyc d shps l.语言与文学 王力今天我讲语言与文学的关系分为四个问题来讲一、语言是文学的第一要素二、词汇与文学三、语音与文学四、语法与文学。一、语言是文学的第一要素高尔基说“语言是文学的第一要素。”没有语言就没有文学。最好的文学作品是用最优美的语言写成的。语言修养是文学家的起码条件。我们要学好现代汉语。现代文学作品都是用现代汉语写成的。文字不通顺就写不出好的小说、剧本、诗歌、散文来。不知道有多少青年文艺工作者只因文字不通顺他们的作品被扔进文艺杂志编辑部的字纸篓里。我们要学习人民的语言。工人的语言农民的语言小市民的语言我们都要学。学生腔是用不上的。我们说文学家要深入生活。我认为学习人民的语言也是深入生活的一方面。惟有用人民的语言描写人民的生活才能使作品有生活气息。赵树理熟悉农民的语言老舍熟悉小市民的语言所以他们描写的农民、小市民才那样生动、传神。我们要学好古代汉语。古代汉语有许多修辞手段我们今天还用得上。其次我们研究中国文学史更不能不学好古代汉语。否则我们连古文、古诗都看不懂怎能研究文学史呢二、词汇与文学这里讲的主要是形象思维的问题。形象思维是文学问题也是语言问题。形象思维是用具体形象来构思表现为语言则是多用具体名词少用抽象名词。《诗经》的比兴是形象思维的实践。后来“兴”发展为触景生情情景交融托情于景。抒情诗如果没有形象就是最坏的抒情诗。诗的意境也靠具体形象来表现。杜甫诗“丛菊两开他日泪孤舟一系故园心。”就是以丛菊和孤舟这两个景物寄托他的思乡之情。假如他简单地说“离家两年多了我很想家”一类的话就味同嚼蜡了。甚至讲哲理的诗也离不开形象思维。例如朱熹的《观书有感》诗“半亩方塘一鉴开天光云影共徘徊。问渠哪得清如许为有源头活水来。”这里有池塘有镜子鉴有天光有云影有源头活水而他所要表达的意思是每天看书都领会到许多新的道理好像有源头活水的清池照得心里亮堂。这样说才有诗意是一首好诗如果用抽象的话说出就不成其为诗了。《文心雕龙》用相当大的篇幅讲形象思维的道理。它说“故思理为妙神与物游。”《神思》又说“诗人比兴触物圆览。物虽胡越合则肝胆。”《比兴》又说“山沓水遝树杂云合。目既往还心亦吐纳。春日迟迟秋风飒飒。情往似赠兴来如答。”《物色》这是古代文论中的形象思维论值得我们好好地领会。形象思维也并不都是好的。庸俗的比喻就表现诗格的卑下。例如明世宗《送毛伯温》诗“大将南征胆气豪腰横秋水雁翎刀。……天上麒麟原有种穴中蝼蚁岂能逃太平待诏归来日朕与先生解战袍。”这种诗只有小学生的水平是毫无诗意的诗了。